Tech 21 FR-BASS-V2 BASS FLY RIG v2

WHAT’S NEW:

While Bass Fly Rig v2 retains the same 100% analog SansAmp heart and cool effects, it now offers:

• A choice of SansAmp Character modes: 
SansAmp Bass Driver DI for a variety of classic bass tube amp tones, or VT Bass DI with a more specific focus on Ampeg-style tones.
• Channel switching for two different Drive and Level settings.
Go from clean to dirty, not-so-clean to not-so-dirty, very dirty to downright nasty, or any variation in between.
• Effect loop to facilitate incorporating additional outboard effects.

FEATURES AT A GLANCE

• All-analog SansAmp tube amplifier emulation circuitry
• Two individual Drive controls for gain and overdrive
• Two individual Level controls
• Bite switch activates a presence boost to provide extra clarity to the top end
• On-board active post-EQ section, cut or boost 12dB
• Compression that utilizes old-school FET-based technology
• EFX section with Octafilter, Fuzz and Chorus
• Chromatic tuner

SANSAMP

with Choice of CHARACTER Modes and CHANNEL Switching

The expanded SansAmp section features 3-band active EQ and provides professional grade tweakability for any situation. The Character mode switch offers a choice of voicings within the bass tube amplifier sound spectrum. Channel switches between 2 different Drive and Level settings for when it’s time to kick it up a notch, or two, or three, or… There’s also a Bite switch which activates a presence boost to provide extra clarity to the top end.

OCTAVE and FUZZ

Octave brings a re-invented pallette of expression with a crazy amount of possibilities, from Minimoog®-style synth to funky town. The controls interact so that you can get dynamically-filtered clean, fuzz, and octave, as well as octave and fuzz together. When Q is at minimum, Range becomes a high-cut tone filter for different versions of clean, fuzz, octave, and octave and fuzz together. You can then blend any of these combinations with your direct signal via the Mix control. But wait, there’s more. By bringing in some COMP, you can get infinite sustain like a keyboard bass. Whew.

CHORUS

Adds the choral voicings of two instruments. With a slight delay between, it adds thickness and space.

COMP

COMP, for compression, utilizes old school, all-analog, FET-based technology from the ’50s and ’60s, which is inherently warmer, more transparent and musical.

CHROMATIC TUNER

Simply hold down the Chorus footswitch to engage the Tuner, which simultaneously mutes the signal path.

TECHNICAL STUFF

• 1/4-inch 4.7megOhm input to deliver the full sound of piezos
• Input Pad for active basses
• XLR output with ground connect
• 1/4-inch low impedance output
• Speaker simulation defeat switch
• Rugged, all-metal housing
• Metal footswitches and jacks
• Silent-switching, custom footswitch actuators
• Utilizes included 9V DC power supply (Tech 21 Model #DC9), 250mA, 100-240V universal auto-switching power supply with interchangeable international
plugs for use anywhere in the world.

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